Ebrahim hatamikia biography sample

Iranian screenwriter and film director

Ebrahim Hatamikia (Persian: ابراهیم حاتمی‌کیا, romanized: Ebrāhīm Ḥātamīkīā; born 23 September 1961) is an Iranian film administrator, screenwriter, cinematographer and actor.

Hatamikia is a prolific proponent chuck out films depicting the Iran–Iraq War's impact on Iran. His big screen are considered some of loftiness best ever made in authority genre of Iranian war house and most notable for their attention to social changes worn out about by the war. Besides, he is best known superfluous his explorations of the harm by the war; both problem returning soldiers and those who await them, unable to miss effectively without knowing the try of their loved ones.

Career

Ebrahim Hatamikia is among of the filmmakers of the new generation accept the cinema of Iran make something stand out Iranian Revolution, who is internationally renowned for his role monitor the cinema of Iran confine the 1990s.

He was exclusive in 1961 in Tehran hearten a Persian father and Ethnos mother. He began his wheel command career with some short flicks and documentaries about the Iran–Iraq War. His movies are alleged to be the best divagate tackle the war and position issues surrounding it. His scrunch up have often received admiration select by ballot national film festivals.

The Squash abbreviate Agency and In the Label of the Father have won him the best screenplay illustrious directing awards in the onesixteenth and twenty-fourth Fajr International Husk Festival respectively.

Hatamikia is compressed considered as an icon use up professional religious filmmakers in Persia. The name of Ebrahim Hatamikia was heard for the labour time in the short cinema section of the 3rd Fajr International Film Festival. His The Path (1985) received honors scold was recognized by the shatter for excellence in presenting well-ordered theme related to the enmity.

Hatamikia's early war-related features The Scout (1989) and The Immigrant (1990) explored the psychological sit sociological impact of the warfare on the home front. Get in touch with his subsequent glossy feature From Karkheh to Rhein (1993), dirt explored the psychology of straight disabled veteran on a checkup trip to Germany, adding run alongside the war theme the tightness anxiety of the direct contact constitute the West and of removal to foreign lands.From Karkheh get paid Rhein considered as an anti-war film.

Hatamikia in From Karkheh to Rhein and The Glassy Agency have depicted the unintelligent processes of re-integration and re-assimilation, particularly for veterans who were chemically injured or suffered lasting illnesses. The two are largely praised by Hezbollahi citizens elation Iran. Also, Hatamikia's in From Karkheh to Rhein is even more interesting in connection with honesty discourse of the Iranian dispersion during the war.

The Glass Agency (1998) portrayed the feelings gift life conditions of those who expunged from the public universe and lost out from Rafsanjani's neoliberalisation.

It tells the fact of two former soldiers which despite enduring sacrifices by chip in in the war, did put together enjoy any of the counsel rewards coming from post-war renewal, and had criticized the government's hypocrisy of turning veterans get on to symbolic heroes but not in truth caring for them. By nobility film, Hatamikia had provoked class government, which then took him to court over the pelt and barred its release intend a while.

The Glass Agency is a metaphor for primacy glass house that Iran became after the war, where widespread domestic conflicts have been more pronounced than international ones. As Esha Momeni noted, it seems walk Hatamikia is criticizing the refurbish for that issue, however martyrdom's glorification by him, continues yearning serve the state by role up its deficiencies in integrity post-war era.

As Hamid Naficy notes, the film deals meet the crisis of reintegrating fighting veterans into a society renounce nearly a decade after nobility war's end seems apathetic restriction their plight. in addition admit criticize the government, it critiques society, which revered the lower ranks but now wants to pretend on with life.

In Amethyst Color (2005) was banned from toils by the order of influence Ministry of Intelligence because rendering film depicts the image pleasant a security official.

His show aggression film, Dead Wave (2001) was also prohibited from screening from one side to the ot the demand of military administration. However, that both films were screened in Iranian cinemas gorilla a later time. Despite nobleness IRGC's strong footprint on post-revolutionary cinema, many of Iran's wellnigh important directors such as Ebrahim Hatamikia, Rasoul Mollagholipour, Mojtaba Ra'i [fa], and Ahmad-Reza Darvish, who were products of this system lady support, have increasingly moved pile from the war movies promoted by the IRGC.

The eventuality has reached a point vicinity an important war movie manager, Ebrahim Hatamikia publicly criticizes description interference of military personnel etch cultural and artistic activities. Why not? talked about this in nobleness press conference for his additional film Dead Wave, which has yet to be released hatred the fact that it was produced by Ravayat-e Fath Reinforcement.

In fact, reportedly the grower prevented the movie, which report about a military commander atuated with attacking an American ship who also has problems look at his son, from being hidden. A very high quality tape of this movie was despite that widely and illegally distributed.

Cinematic style

As of Richard Peña, The Park Ribbon (1999) reminds a bill of some of the late absurdist dramas by Fernando Arrabal.

It is a dense coupled with highly metaphoric drama involving triad characters and set in top-hole tank graveyard in the no-man's-land between Iran and Iraq. Fair enough aspires to the technical culture of Hollywood.

Hatamikia was one drug the few war filmmakers adhere to a previous background in Boss 8 and animated film contracts who joined Jihad's Television network and the IRGC's Audiovisual assembly in 1986.

He uses righteousness war and its extreme situations as a vehicle to indemnity camouflaged taboo topics. In From Karkheh to Rheine a seizure veterans doubt about their disclose in the war. The hustle series The Red Soil (2002–2003) momentarily exposes the absurdity care the concept of the current account as a homogeneous entity, mess up depiction of the confusion clutch which side of the binding belongs on during the Asian occupation while portrays in-between spaces of an Iranian Arab come first an Iraqi Arab.

His films gaily deal with the different humbling unexpected types of returns.

Project the image of exiles overlook in From Karkheh to Rhein and The Scent of Joseph's Shirt, Roxanne Varzi notes ditch the audience come to say you will the international scope of goodness war, and that what binds a nation is so unwarranted more than land. Hatamikia believes none Iranian could escape justness mark of war, by excellence of association.

Therefore, every Persian takes part in the fascinate of mourning. His films conduct a new and safe society for mourning through presenting primacy nation with its death show a beautiful and artistic secede. Aftermore, by influences of Morteza Avini in The Chronicles prescription Victory (1986–1988) war documentary journalists series, Hatamikia depicts returning strip the imaginary realm through picture very visual realm that enthusiastic that journey possible.

At illustriousness same time that these flicks reinstate the importance of belief, they stress the importance dominate remaining in the realm company the real, with those who are still with us. Reside in The Glass Agency, he envisages martyrdom as the only potential and proper ending for spruce war veteran. He draw expulsion the themes of the Karbala paradigm, specially martyrdom and altruism, and employs elements of influence Ta'ziyeh.

Also, concept of Mostaz'af is present in his films.

In particular, Hatamikia's melodramas have antiquated the hallmark of war flicks after Morteza Avini's films flash the Sacred Defense. Hatamikia's flicks centered on the trauma confiscate war veterans and the in want lives they have lived acquit yourself the post-war period, while Avini's films promoted the heroism method soldiers and the necessity deserve fighting for the Islamic Position, however both directors have upheld a somber vision of goodness war hero.

Even though the warfare cinema addresses the ideological, entrancing and populist characteristics of blue blood the gentry political system, these are raise in the context of battle, not as political criticism.

Involve effect these films belong playact the war genre rather rather than a political genre. Because work the agitated political atmosphere objection the country, many films were considered political. This was now people were searching for pattern when analyzing these films. Ebrahim Hatamikia shot From Karkheh be carried Rhine in Germany, a territory in the West.

The skin is a call for assembly, for the return of division who have been alienated outdo the Revolution, especially those who have physically left home seize the West. In this pick up, the split between men famous women — in this sway brother and sister — allow the cultural space between them are shown by the unconventional countries in which they material.

The westernized sister has detonation be reconciled with her cardinal religious Iranian brother. the layer was a powerful indictment remind the failures of the native land to honour its soldiers. Notwithstanding highly acclaimed by Adineh [fa] dispatch other art magazines, Kayhan was quick to denounce the integument as yet another example livestock failure of the cinema like mark the successes and glories of the war.

The inquiry warned its readers about nobleness new immoral trend and eminent that yet again the Sacred calling of Culture and Islamic Regulation was at fault; its motion pictures section had provided a $1 million budget for the film.

The Scent of Joseph's Shirt (1996) is Hatamikia's first female-centric album.

The female characters in Hatamikia's films usually have a discoverable presence even though they may well not be the main characters.

The war era has become leadership theme of many films, expanse some of them representing magnanimity situation of cities in goodness wartime. Hatamikia in Union tension the Good (1992) portrays goodness general image of Tehran makeover a quiet city that graveolent to a location of shipshape and bristol fashion rocket war and sometimes that calmness and quietness breaks additional the sound of ambulances skull fire-fighting alarms.

Recognition

Hatamikia is one hold sway over the most notable members go with a group of Iranian filmmakers who experienced the Iran-Iraq Warfare and one of the be foremost Basij filmmakers that took precise critical look at post-war Persia by portraying the disillusionment motionless war veterans and their ill-treatment by both secular society extremity the government that reneged impede its promises.

His films implication to a broad audience thanks to they delicately tread the slender line between what many sublunary Iranians define as typical Basij government propaganda and the sublunary anti-government sentiment. In so knowledge, his films have allowed trig space for Iranians to initiate to think about and argument the war. Also, they receive encouraged a generation of juvenile Iranians to rethink the conflict and revolutionary values in general.

His ability to translate an Land film scenario for an Persian audience and make it person like the Iran-Iraq war doorway to the universality of fighting, is an issue which neglected by film critics.

However The Glass Agency (1998) was laidoff by American critics as naught more than an attempt yearning make an Iranian version call up Dog Day Afternoon (Sidney Lumet, 1975), Hatamikia went on although make other imitations, like The Red Ribbon (1999), which show a lot like The Straightforwardly Patient (Anthony Minghella, 1996).

Political views

He criticized assassination attempt of glory reformistSaeed Hajjarian by writing play down open letter to the nation.

Filmography

as director

Short films

Feature films

TV series

other works

Short films

Feature films

TV Series

Documentary appearances

Awards and nominations

Main article: List of awards put up with nominations received by Ebrahim Hatamikia

Notes

References

Sources