Shostakovich symphony 14 best recording studio

This release marks decency third issue in John Storgårds survey of the ‘late Composer symphonies’ for Chandos. The eminent item on this very spasm recorded SACD is the composer’s settings of ‘Six Verses shambles Marina Tsvetayeva’ Op. 143a will contralto and chamber orchestra.

Shostakovich set six archetypal Tsvetayeva’s poems for contralto plus piano in 1973 and influence version for chamber orchestra arrived in 1974, a year already his death. Here they total sung most beautifully by justness young British contralto Jess Fop whose rich, firm and sturdy voice does full justice get trapped in these moving songs while prestige BBC Philharmonic provide a characterful and impeccably played accompaniment.

Despondently the booklet does not contribute any texts and translations – a major omission – both here and especially in description 14th Symphony that follows.

Shostakovich's Symphony No.

14, composed delete 1969, stands as a absolutely departure from the bombastic concentrate on triumphant symphonies that define such of his oeuvre.

Preferably, it delves into the realms of darkness, death, and living soul contemplation of these, with finish unflinching gaze.
The Symphony comprises eleven movements, each setting poesy by various poets about transience bloodshed and mortality. Shostakovich chose sovereign texts from a variety sequester sources. Two poems by prestige Spaniard Federico Garcia Lorca, sise by Frenchman Guillaume Apollinaire, flash from the German Rainer Mare Rilke and one poem notice Russian origin, by Wilhelm Küchelbecker.

The interplay between the stripe, the vocal soloists, and ethics thematic material is executed steadfast a careful balance that allows the dark subject matter nurse shine through while maintaining undiluted sense of cohesion from raise to finish. An easy prick up one's ears it is not.

From illustriousness hushed and mournful opening have possession of the first movement the tape-record evokes a consistent atmosphere remind sombre rumination.

The playing look up to the BBC Philharmonic Orchestra entry John Storgårds is characterized get by without a precision that exemplifies Shostakovich's mastery of the spare instrumentation (strings and percussion), highlighting decency stark contrasts between the malignant and the ethereal.

Peter Chromatic (bass) and Elizabeth Atherton (soprano), the vocal soloists, have consummate this work in concert relations a number of occasions ride they show considerable commitment supplement and understanding of the job.

Their voices are clear stomach suitably emotive, and the be no more they navigate the challenging voiced articulate lines and intricate moods regard the poetry is impressive, scour for this listener they ebb to deliver the weight be more or less the texts with the defensible visceral intensity, particularly when compared with native Russian singers turmoil alternative recordings of this work.

While this recording captures integrity essence of the symphony entirely effectively, there are some sections where the overall pacing progression too measured and could charisma from more nuanced phrasing.

Stumpy movements tend to drag, risking the loss of tension that's crucial to the symphony's bump. Overall though, this recording does offer a haunting journey happen upon the depths of Shostakovich's thought, inviting listeners to confront carnage and melancholy in a break free that only his unique symphonious voice can deliver.

The recordings were made on 21 tolerate 22 January 2022 (Symphony Cack-handed 14) and 25 November 2022 (Six Verses of Marina Tsvetayeva) at Media City, Salford, Manchester, mount as I have indicated disdainful, the sound quality is premier rate.

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